视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。第一集穿山姚志军带领自己的团队在海拔4300米的雀儿山隧道坚守了5年。在山上，面对工程他严谨、细致、准确；面对同事缺氧晕倒，他背起就往外冲；面对小兄弟他要传授爱情的经验；他丢不下重病的母亲，管不了成长中的孩子；为了表示对妻子的感谢，他利用空闲时间雕刻木簪送给妻子。 第二集当我年老时北京东城区老年大学的四位老人的故事：任丽茹从总护士长的位置上退休，追求人生价值是她退休后学艺的动机。林勤明出生在越南的华侨家庭，19岁时为了逃避包办婚姻，回到中国，她的丈夫胡明扬是我国语言学界的大家。张春丽住在一所很破旧的筒子楼里，她最操心的事情是儿子。郭强退休以后比以前更忙了，要上老年大学，还要每天去照顾母亲。 第三集龙痴赵闯，古生物界无人不知的恐龙形象复原科学艺术家，他用“魔法”复活了上亿年前的恐龙。他既不是古生物专业出身，也没有受过专业的艺术训练。他被称作...。第一次世界大战敲响二十世纪的第一记警钟，从国际布局、人文精神到文艺和电影，都深受震撼和启发。阿贝尔·冈斯透过三个人的爱情和友谊，反抗战争的风暴，并呈现面对国家和战争的思想矛盾，叩问人性和文艺的价值。悲壮的结局，饱含失落与不断战胜失落的愿望，正是视频不衰的意义。冈斯终生热衷于叙事和图像实验，风格今天看来依然前卫先锋。本片与其后的《拿破仑》（1927）同为冈斯的巨作，技法多样而热情，拓展了电影的艺术语言。。