视频简介
岛田修悟（江口洋介饰）曾是一位精明强干的警察，却在某些意外之后离开了警界，如今，他和助手小岛亚花里（上白石萌歌饰）一起开办了一家侦探事务所，岛田并不是一个上进的侦探，因此，事务所的生意一直非常的冷淡。 某天，一位看上去非常有钱的老妇人佐藤和子（倍赏美津子饰）找到了岛田，委托他完成一件奇怪的任务，她希望岛田能够帮助自己在住院时认识的命不久矣的大松干枝（梶芽衣子饰）完成人生最后的愿望。和子表示自己自己资金雄厚，只要岛田能够完成任务必有重伤，还派出了护师寺本春纪（志尊淳饰）作为协助人。。女大学生白佳宜意外卷入一宗迷案，在被未知恐惧包围的过程中与广一相遇。死者的身份让事情逐渐失控，为了脱身他们不得不铤而走险。穷途末路，这注定是一场不完美逃脱……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。