视频简介
荷比边境村庄的仲夏，八名少男少女在各种法律漏洞间玩起大冒险，用性与肉体嘲弄社会的道德价值观，用各种夸张行径，向时代发出年轻为王的张狂挑衅。不料，其中一名少女意外死亡，好友出庭作证，他们迥异的生活背景造成一场罗生门，真相究竟终将还原，抑或是揭开失序青春的残酷面纱？。克莱门汀（奥利维亚·波纳梅 Olivia Bonamy 饰）和丈夫卢卡斯（米切尔·科恩 Michaël Cohen 饰）结婚多年，彼此之间感情十分恩爱，他们居住在温馨的大房子里，却从来没有想过这里将会是他们噩梦开始的地方。 某日，克莱门汀接到了一个奇怪的电话，然而她并没有将这件事放在心上。入夜，克莱门汀和卢卡斯正沉浸在梦乡之中，忽然被一阵噪音吵醒，卢卡斯随后发现自己的车被人偷走了。忽然间，整个房间陷入了黑暗之中，很显然有人在电路上做了手脚，而这些心怀不轨的人，此刻正在一步一步入侵夫妻两人的家。卢卡斯遭到了对方的攻击身受重伤，而令他感到震惊的是，他们的对手并非穷凶极恶之徒，而是一群尚未成人的少年。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
