视频简介
Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。南宋时期，杭州灵隐寺住这一位疯癫和尚，人称济公，传说为罗汉转世。他本姓李，祖上乃宋太宗驸马。济公二十七岁出家，不戒酒肉，破衣拉撒，不知情者皆道其疯癫，却不知其实为得到高僧。济公济困扶危，惩治强梁，经常用一些诙谐的小法术教训那些欺压百姓、鱼肉乡民的奸佞恶霸。恶人提起他又恨又怕，百姓们则对济公师父爱戴有佳。 1988年，电视连续剧《济公》红遍大江南北，主题歌“鞋儿破、帽儿破，身上的袈裟破……”更被广为传唱。1998年由北京本昌文化艺术传播中心、格力电器股份公司、浙江有线电视台、北京国安广告总公司联合制作的２０集电视连续剧《济公游记》摄制完成，与观众阔别10年的济公师父再次归来。。本剧全部在烟台拍摄，大量场景位于烟台大学、烟台市区。 故事由发生在一个雨夜的故事开始。滨海大道上三辆疾驶而过的车，每辆车上都在发生着各自不同的故事。突然，激烈的撞击声伴随着一声响雷划破长空。隧道中，三辆车撞作一团，一片死寂。一个年轻的生命消失在眼前，同时还带走了腹中不满两个月大的婴儿。不久，肇事逃逸的司机良心发现去警局自首。到底这中间隐藏着多少不为人知的秘密... 这一瞬间的相撞使故事中每个人原有的生活轨迹被改变了。一个个残酷的现实被发现；一桩桩离奇的事件在上演；一张张浓厚的面具被拨开。爱情的迸发、婚姻的变故、死亡的降临、丑恶的嘴脸还有善良的本质统统交织在一起，展现出现代社会不同阶级的生活状态，描绘了人世间的真情冷暖……。
