视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。上海法租界连发三起命案，三个看似完全没有任何关系的死者竟然都有着同一个名字“钟鸣”。凶手擅长使用剧毒暗器和反关节格斗，心理素质极其之高，很可能是一个身怀绝技的冷血杀手。老虎探长钟朗（吕良伟 饰）和于胜男（李若斯 饰）、康华生（徐亮 饰）及洪小雅（马灿灿 饰）展开联合调查，而初步结果令钟朗心生疑窦。原来当年他曾化名“钟鸣”在黑帮“蟠龙潭”卧底，他直觉认为凶手是奔自己而来。调查发现，凶手已患有晚期肺结核，去日无多的他仿佛要利用最后的有限时间杀掉作为仇人的钟鸣，为此不惜无差别大开杀戒。钟朗顺藤摸瓜，果然查到这些案件与自己当年卧底期间的一系列事件有关. 争分夺秒的追杀，藏在暗处的凶手的生死约定……。Exploring the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.。
